What the hell’s this song about, then? Although reading all the different the interpretations has been fun for me, I thought it’d be worth setting the record straight. After all, I wouldn’t want people to make assumptions about me based on something which is, ultimately, a work of fiction. Firstly though, here’s a list of things that the song isn’t about:

1. It’s not about me wanting to leave YouTube.
2. It’s not about a girl that I like.
3. It’s not about Community Channel. (Though I wish that she made videos more often too!)

“Time To Reply” is from the perspective of a fan. It’s not from the perspective of someone who watches me specifically, but instead from the point of view a made-up person who experiences a one-way relationship with someone that they find, come to admire and idolise, and then eventually get bored of as time goes by. So basically it’s a bit like Eminem’s “Stan” but with less craziness and murder. Maybe that’s why there have been so many different interpretations of it, because it’s not about anyone in particular, and as such it’s open for people to make up their own minds about what might be going on.

Even though the song isn’t about me, all of the lyrics are based on actual things that people have sent me over the years. The majority of people won’t email me when they decide to unsubscribe, but I thought it’d be more interesting to end on a sad note. A “I found you, I really liked you for a while, and I still quite like you!” song just wouldn’t have had the same effect, even though that’s probably closer to most people’s experiences with this kind of stuff. I know that’s how things tend to play out for me with the people that I follow and admire.

So basically, don’t worry! I still really love YouTube, and making videos, I definitely don’t want to stop, and I’m sorry that my song made some of you assume that wasn’t the case. I want to spend my life making stuff, films specifically, and YouTube is the perfect playground for me to practice that. This song, for example, was actually an example of me trying to hone my story-writing skills, and what I’ve learnt is that I might need to improve the communication aspect of my storytelling a bit! So thanks for teaching me that :)

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When I first had the idea for this music video, I quickly dismissed it as being way too ambitious a concept to ever pull off. There was a good chunk of stuff of which I had no clue how to accomplish on my own: gun effects, good zombie make-up, making Alex fly around like a super-hero … it was all going to be too hard, too much of a jump from everything I’d done previously, and there was no guarantee that it was actually going to be any good either. However, after week of failing to think of anything better to do in it’s place, I just decided to go for it. And not only that, but apparently I actually finished the thing too.

Here’s what I learned during the process of making this video: if your ideas seem like they might be too farfetched to make a reality, just try to make them a reality anyway. A big part of this is finding people who are more talented than you and getting them involved. We were a relatively small crew compared to the size normally needed to get something like this made, but as someone who usually does everything on my own when it comes to making videos, this felt like a scarily massive production. But this is how you learn new things, pushing yourself to places that you’ve never been before.

Watching this video back now, there are things that I’d do differently with hindsight. It’s not my perfect Forever Yours music video. But I wouldn’t know what to change about it if it wasn’t for the fact that I’ve gone though the whole process and actually come out with something watchable on the other side. And because it is too late to alter anything now (I promise never to pull a George Lucas on you all) the best I can do is take all the things I’ve learnt, apply them to my next big project, and then hopefully keep on progressing from there.

This was a hard one, and I won’t be able to make anything of this style for a while (I’m no freddiew). But I want to say a massive thank you to everyone who’s watched it, liked it, left a nice comment, shared it and all that lovely stuff. I mean, I’m always happy when you do that with any video of mine, but seeing the reaction to this one has been a particular joy due to all of the hard work that went into it. You’re awesome, and made all the stress of film-making worth it in the end.

The Zombies on their break in Nandos (Photo by Scott Jackson)

Ready for an influx of hyper-links? People who helped make this happen: Alex Day, who wrote the song (which you can get on iTunes, by the way) and for putting up with me when I told him to lie in front of a cardboard grave so that I could cover his face with leaves. Emma Duke, for acting too well, and who’s totally our music video “girl” forever and ever now. Toby Dale, who did the majority of the special effects for the video, helped me a lot with all of the ones that I did, and for just being the loveliest guy to have around. Ciaran O’Brien, for being the mastermind behind the camera and an absolute joy to direct. Adam Hickey, for all of the brilliant zombie make up -- the crux of this video wouldn’t have been possible at all without you. Scott Jackson, for helping Adam with the make up and for all of the awesome behind the scenes photos. And finally, Lex Croucher, Kayley Hyde, Myles Dyer, Becky Smith, and Toby Dale (again!) for allowing me take you all to Zombie school and back -- you were all positively disgusting.

Here’s to the next one!

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NB: I wrote this blog post a week or so ago, but due to the insanity that was VidCon, I completely forgot to put it up. Sozlol. Here it is anyway:

Even though I managed to throw all of my bad feelings from last week out of the window, I’ve successfully filled up the empty space that they created with a bunch of new annoyances that are making me feel like rubbish. I’m usually pretty good at not letting negative comments get to me, but after finally getting everything together and making a new video (above) I’ve been met with more disappointed faces than I’m used to. It sucks that I can’t make a video wanting to share something that I’m really, really proud of, without seeing a bunch of people telling me to shut up about my music and just make funny videos again. I know it’s not all of you, but the negative always sticks out more than the positive, and I can’t really help that.

However, I’m not here to whine at you about my YouTube woes. I’m here to cheer myself up by telling you about all of the nice things that have happened to me over the last couple of weeks, so lets do that. Firstly: I’m in America. And I quite like America, I do.

My now apparently annual excursion to the US started on the 7th when I arrived in what is easily the hottest state that I think I’ve visited so far, Georgia. Maybe it’s just my quaint, British temperature gauge, but my first words after stepping out of the airport were something along the lines of “It feels like I’m constantly standing next to a barbecue, or that I’m sitting in a sauna. Oh god, how hot are the actual saunas here?” They also have mosquitos, which is another new thing for me. I have discerned from these two things that Georgia is in fact Edward Cullen: Not only is it hot, but it also wants to suck my blood. Bracing the heat, I visited Atlanta and went to the Georgia aquarium, The World of Coke, The Bodies exhibit, and Dialogue in the Dark. All of which I’ll now go into more detail about.

The Georgia Aquarium is mostly just like any other aquarium that you’ve ever visited, with one notable exception: it’s the biggest one in the entire world. The largest tank has three whale sharks swimming around in it. Three whale sharks, guys. Three of the biggest fish in the entire world, right there in front of me. In the middle of Georgia, a state where there isn’t a single natural body of water anywhere, and there they were. The World of Coke is right next door, which was equally fascinating to me for a completely different reason. If you’ve never heard of TWOC, it’s basically the Coca Cola company’s attempt to do what little they can to turn their sugar water drink into entertainment. I like coke, but I have no idea what possessed the company to make anyone sit through a 6 minute animated musical about what happens inside of a vending machine, featuring some of the creepiest characters in existence (they didn’t have eyes). I loved every second of it, just not for their intended reasons.

The next two items might seem like sad things, but I can assure you that they are happy ones: I went blind for half an hour, and I saw a bunch of dead bodies. You might have heard of the Bodies exhibit before, but for the uninitiated, it’s essentially the best human biology lesson that you’ll ever get. The bodies of real men and women, who offered themselves up to education, have been sliced up and preserved so that you can find out what we’re really all like under our skin. I won’t post pictures, it’s something that you have to want to seek out, but I thought it was brilliant. It definitely gives you a heightened sense of awareness, one that’s encouraged me to try and take better care of myself.

Then, right next to the bodies exhibit I found this thing called Dialogue in the Dark, which basically gives you the opportunity to discover what it’s like to lose your sight. You’re given a cane, a brief lesson in how to use it, and then you’re directed around pitch black rooms by a tour guide (who’s an actual blind person). It was one of the strangest and most enlightening experiences I’ve ever had, and I feel confident now that, the next time I see or meet a blind person, I’ll be to understand them much better. Being blind is really, really hard by the way. I was the one who accidentally stepped into the road and got run over by a car when we were crossing the road.

As you might have gathered from my latest video however, I’m currently in the company of Chameleon Circuit, and not in Georgia anymore, but in California. I’m here for the rest of the month in the build up to VidCon, which I’m speaking at and at which Chameleon Circuit are playing. Needless to say that I’m not ready for any of these things yet, the talk, the gig, or VidCon itself. But hey, I’m in California, with my friends, making videos and playing music. Any moaning from this point onwards isn’t really very justified. Ok. Feeling better now. Hopefully the next time I speak to you all, I won’t be trying to perk myself up!

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I’m feeling slightly stressed out. Last week I tried and failed to make a new video on two separate occasions, so I’ve decided to write a couple of blog posts about some nice things in an attempt to cheer myself up. This is the first of those blog posts.

To start us off, the big project that my fellow band members and I have been gradually chipping away at for the last however-longer-it’s-been has finally been released out into the world. Still Got Legs is no longer mine, or any of the other band member’s, but yours. I’m so proud of it, more than any musical project that I’ve ever been involved in, and I really hope you like it too. Though if you don’t then that’s obviously fine.

To everyone who pre-ordered a copy of the physical CD it’s on it’s way to you now, and if you check your email inbox now then you should also find a free digital download of the album so that you can pop it onto your computer right away. For everyone else, physical copies are still available at DFTBA.com (you’ll get a free digital download there too) or you can just go over to iTunes if that’s your thing. Lastly, like with my solo album, if you’re on the fence and would like to try before you buy then whole album is streaming for free over at bandcamp.com

However, the news of the album being out isn’t the only thing that’s cheering me up. Alan (DFTBA’s head honcho) posted these photos on his dailybooth recently that made me smile from ear to ear, one with the CD and poster insert (oh, and there’s a T-Shirt too) and another with all of the boxed up pre-orders ready for shipping. I think the second photo is especially brilliant, as it’s hard evidence of the fact that this is actually all happening for real. It’s so strange to have something that you’ve been hiding from the world for months to finally be in the hands of others, but so heartwarming too.

Check out those legs aw yeah

Oh, and there’s also this thing where (at time of writing) we’re number 4 in the iTunes rock charts, and number 50 overall. Thank you so much to all of the people who have commented/tweeted/emailed me and the others passing on your reactions to the CD, and to those who’ve already purchased a copy of it. You’ve made this whole thing so much more than worth it, and it’s so cool that we can achieve this kind of thing on our own, without any help from the mainstream music industry. Your support has been amazing, thank you a hundred times for making this happen.I can’t wait to play all of these songs live at VidCon.

I’m definitely feeling happier. But there’s more to come.

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As I write this, I’m sitting in a mixing room listening to Kiss The Girl blast at me through a huge pair of speakers, and I’m watching Michael and our mixer, Trevor, make the final tweaks to the album that we’ve been working on for about five months: Still Got Legs. We’re finally getting to a point now where this project is almost done, and I’m pretty darn happy, mainly because this is an experience that I’ve never actually had with a Chameleon Circuit album before.

Back in 2008, when we were in the process of recording the first CC album, I took a three-hour trip to the producer’s house (who I won’t name and shame here) so that I could record the vocals on my final song, Friends Of The Ood. When I turned up, however, I was given the files of everything that we’d done on the album up to that point and was politely told to go away. The producer didn’t want to finish it for us, and so it just never got finished. After months of trying to find someone new who could help us out, we were eventually forced to release the music uncompleted. I’m sure that we would have been inspired to make a second album at some point, but the urge to make the most decent Chameleon Circuit album that we could, one which we didn’t have any regrets about and more importantly one that was actually finished was definitely the kick-starter for this CD.

Still Got Legs has had its fair share of producer related problems, though just with a different twist. A lot of you have probably already heard about Michael’s forced vacation to France, but to sum it up: Michael, who came over from the US to produce this second album, got stuck in France for two months due to reasons that we’re all still a little unsure about. Basically, the people at the border just didn’t like him very much and initially wouldn’t let him back into the UK, and so production of the album was moved to Paris for a month. It was nice of them to eventually let him back in, though, even if it was just for a week so that he could wrap things up here. I guess it’s our own fault really that Chameleon Circuit is cursed; we just had to name our band after the one part of the TARDIS that didn’t work properly…

Regardless of all the obstacles that were put in our way this time, though, we’re almost there. On June 3rd and 4th we had a couple of listening events where people could come and hear the album in its current state. “The last album was a great album about Doctor Who” someone said “but this is just a great album in its own right.” This comment made me really happy, and I do hope that the rest of you feel the same way if you decide to get a copy. The physical CD is currently up for pre-order (you can get it here) and it’ll be released there and on iTunes etc. on July 12th. Also, here’s the album artwork and track-list; just click on it to make it bigger:

Dude it's so pretty looking

One thing that I should mention, something that I’ve seen a fair few people bring up, is Doctor What‘s absence from the album. Unfortunately, this was one of the later songs that went through production, and we didn’t really feel like we could find a good place for it on the CD simply because it was too different from the other tracks. The choice was either to release a bastardised version of it to force it onto the album, or to release the song later and give it the treatment it deserves. It’ll be available at some point, but in the meantime you’re obviously welcome to listen to the version on YouTube as much as you like.

By the way, to the people who are nice enough to actually read this blog: sorry for neglecting you recently. As you can probably tell from the fact that my last video took me two and a half weeks to get up, I’ve been pretty busy recently and have had trouble maintaining all of my online spaces. I’ll try to be better. Over the last couple of months I started to convince myself that I wasn’t updating my blog because I didn’t really like writing blog posts, but I have actually quite enjoyed putting this one together. So, you know, maybe I’ll make a written comeback now. Maybe being the key word in that sentence.

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It's my face. On a wardrobe.

In a video that I posted about about a month ago, My Crib 2, I made the mistake of mentioning to you all that I had a story to tell, and then decided not to tell you said story – a decision that seems to have left many of you in a state of dire frustration. It’s like when someone tells you that they have a secret, but follows straight afterwards with an oh, I wasn’t supposed to mention that – forget I said anything. It’s always massively maddening, and they’re lying in a sense anyway, because they know that if they really, truly, honestly couldn’t tell you the secret, then they wouldn’t have mentioned it in the first place. And then of course, eventually, they give in and spill the beans anyway, which is exactly what I’m going to do now. So, with all of that in mind, here’s The Story of the Wardrobe Face. But be warned, it really is a bit odd.

It all starts when I was in my early teens (probably) being forced through the ritual of getting your school photos taken. I say forced, but school photos were never really that big of a deal for me. We got to miss first period, I was always pretty ace at pulling the right smile, and unless it was a milestone year for me, my Mum didn’t particularly mind if she received a copy of the photo or not anyway. On that particular year though she decided that, sure, I’d like one of them, and so the photos arrived in due course. The important thing to point out here though is that we didn’t just receive a single photo that particular year, but also a bunch of little, passport photo sized versions of the main photo. Which were all completely useless as actual passport photos, because I was smiling in all of them. But, you know, we bought them, so we kept them.

Months, or possibly years go past. If you haven’t already noticed, I don’t tend to remember the dates of events like this very well, just the events themselves. I was a bit older, not at all wiser, and in the middle of a prank pulling phase – a phase out of which I’ve never really escaped. My Mum was dating a guy called Lee at the time (who’s a jolly nice bloke, I still see him sometimes) and they’d been seeing each other long enough that she had a few pictures of the both of them in her bedroom, and in other areas around the house. And so, seeing pranking opportunities where nobody else would, I decided to cut out all of the passport sized photos of my younger, uniform clad self, and replace any photo including Lee’s face, with my own face. Yes, just like how some kind of insane, serial killer would. It was very creepy, I was very proud of myself, and the reaction from my family was one of confusion, followed by “oh, Charlie” chuckles.

Over time, for no particular reason, one of the the little photos from the prank made it’s rounds around my house. I stuck it to our front door at one point, on the inside just above the handle, so that everybody could leave with a little picture of my head in their, well, heads. It actually stayed there for years, because we completely forgot that it existed for the longest time. However, after rediscovering it later I stuck it to my bedroom wall, and then later still took it on the journey to London, where it now resides. For the most part, I now use it as an aid for framing my videos correctly. And now you know.

Although that story is a bit weird, to be honest, my main reason for not mentioning it in the video was that I just wouldn’t have been able to fit the entire tale in there. I think I kind of needed to put it in a blog post, so that you could all have the freedom to sit back and digest the mad thing that I did. Because it is still a bit weird. But you asked for it, and you’re welcome.

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At the beginning of this year, the only resolution that I gave myself was to try and focus on quality over quantity when it came to my videos. There were definitely moments in 2010 when I felt like, given the schedule I had forced myself onto (trying to upload a video every week or so) I was 1) making videos just for the sake of trying to keep up to quota and 2) uploading videos that I wasn’t always completely happy with -- stuff that I knew I could probably have completed to a much higher level had I given myself more time.

A couple of weeks ago, I almost broke my resolution, and ended up shooting a video which was just an update on various things that were going on in my life at the time. To put it simply, I knew I needed to get something up that week in order to earn some cash, and the video had no real purpose other than that. I watched it back, realised how boring, vapid and useless it was, and then deleted it pretty promptly so that I could move onto something new. It was at that point that I also set a new rule for myself: If I was going to make a video, it had to be something that I actually found fun, and that would be fun to watch. It can be too easy to lose sight of why I even make YouTube videos sometimes, which I think is a bit of a common problem for partners who hold YouTube as being both a hobby and a job simultaneously.

There are definitely some people on YouTube who have decided to let the job aspect of their channels overtake the hobby side, and I don’t have a problem with those people at all. Some of them make absolutely brilliant videos, on a schedule that they stick to religiously, MysteryGuitarMan being a great example. There are also people who definitely opt for quantity over quality, and again I have no problem with anyone who wants to do that. Sometimes I really enjoy watching videos that have lower production values, so long as the content/person in the video is engaging. But none of that works for me. I’m not on YouTube to try and pull in eyeballs, I’m on here to try and make stuff that I’m really proud of.

I’d love to be able to make a short film at some point in the near future (something that I’ve already started work on actually, though it’s early days) and then maybe even a feature film after that. To feed that ambition, what I’m trying to do currently is stick with the exact same style of videos that I feel I’ve always made, while also doing my best to use those videos as a training ground for new ideas and techniques. My latest video, My Crib 2, is an example of that. I basically wanted to use the challenge as an excuse to play around with camera lenses, to practice composition, writing a shot list, cool transitions, directing a cameraman (Michael did almost all of the filming for this video) and to have a go at some more advanced rotoscoping (the effect at the start of the video where I come up in front of the titles). It was really fun for me to do, and I feel like I’ve come out with a much better piece of content as a result.

Just to be clear: I don’t mean to imply by any of this that I’m going to be changing my schedule to one video a fortnight or anything like that. I am still going to keep the once-a-week plan at the front of my mind, but I’m also going to allow myself more free time to work harder on a video if I feel like it’s going to benefit it in the long run. I’ll try to provide both quality and quantity when I can, but I’m going to prioritise the former over the latter. I have received a lot of emails from people, especially recently, saying that they’d like me to make videos more often than I do, and all I can really say to that is sorry, really, but that’s just not the kind of YouTuber that I am. I’ve never been like that. In theory, any videos that I do post from now on should be of a better quality, and more worth your time, so I hope that makes up for any noticeable drop in frequency. And as always, thanks for watching :)

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This video seems to have sparked a fair few comments which need responding to, but I’ll address the most important one first: Alex’s Mustache. Is it real? Well, it’s kind of real, but not really real. When I told him about a week ago that I wanted to shoot another episode of The Alex and Charlie Format, but set in the past, I pretty quickly came up with the idea for a mustache, which I then asked him to start growing. There wasn’t any resistance on his end when I asked him to do this by the way, he’s a pretty good friend, eh? On the day of the shoot however, it wasn’t quite as hairy as I would have hoped, so the solution we came up with was to extenuate it with some mascara, lent to us kindly by Beckydoll. Thus, Alex’s slightly pedophilic tashe was born. Don’t worry, you won’t be seeing it again any time soon.

Next up, the old style VHS effect. Simply put, what you’re looking at isn’t actually an effect at all, but real footage from a VHS-C camera that I inherited from my Gran a year or so ago. As soon the camera came into my possession I knew that I just had to make a YouTube video with it, how could I not? But it was a long time before I came up with the idea of shooting an Alex and Charlie Prequel, and even longer before I actually got everything I needed in place to be able to make the video. I bought some software so that I could digitise the composite signal from the camera, then some new VHS-C tapes to record onto, and managed to borrow a 1995 CRT computer from a lovely guy called Martyn who I met on twitter. It wasn’t a 1991 computer, sure, but seeing as I didn’t have to spend a penny on it, and that it was in perfect working condition, it worked brilliantly for what I needed.

There also seems to be a scary number of people commenting on the video who are confused by the fact that it’s set in 1991, but that Alex and I seem to be exactly the same age as we are now. My hope is that, at the very least, most of the people leaving these comments are posting them self-aware of how silly they are. But for those who really aren’t sure, there are two solutions to your problem. Either Alex and myself have somehow acquired the fountain of youth, (or some similar method to reverse the aging process) or, we were just joking and we filmed the video yesterday. In fact, a pretty important rule that you should follow about watching me in general, is that you shouldn’t always take everything I say seriously. Teasing you is fun for me :)

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Watching Doctor Who is never going to be the same for me. I know a few people, and I expect that there are many more out there, who love the show to bits but just can’t bring themselves to watch the behind the scenes companion show Doctor Who Confidential, and with good reason. There’s a certain kind of TV magic that comes with Doctor Who, one that only really exists in science fiction shows, and one that seems to disappear once you see a Dalek with his head off, or The Doctor wondering around a car-park listening to his iPod. I have the utmost respect for people who want their magic to stay magical, though I’m not one of those people myself.

While a bit of the magic might disappear after watching an episode of Confidential, nothing can prepare you for the severe magic removal operation that takes place after actually being there on set, a shock that I’ve experienced over the last couple of months. Even though you’re wise enough to know that there isn’t really a man traveling through time in a blue box, when you watch the show, or experience any good story for that matter, it starts to feel real. But for me, it just doesn’t feel real anymore. The magic is all gone. Boo-hoo.

I should point out though that I’ve never really been one for magic, I’m much more interested in finding out how the trick works than being duped by it, so for me, this is a welcome change. A very welcome change. If you saw the Doctor Who Confidential videos that I made for the BBC recently (you can find them at the top of this post) then you may have noticed that, at points, I seemed a little bit underwhelmed by the whole thing. And I’m not going to lie, it’s because at points, I was. The first time that I stepped onto the TARDIS set -- a moment that happened off camera -- honestly felt a bit like falling in love. But the moments afterwards where I had to try and make it interesting, while nothing was going on, were more like finding out that the thing you’d just fallen in love with was, on closer inspection, not actually going to be able to take you to Space Florida and back.

In my personal opinion, the last two videos, the ones where I’m actually doing stuff on set rather than just pottering about and telling the camera how lost I feel, are much more interesting, and if I made any more of these things, that’s the kind of route that I’m going to be going down. Much less “look, a christmas tree!” and much more chatting with the cast and probably having a go at all of the various jobs that people do on set. That’s the kind of stuff that’s more fun for me, and judging by the comments that I’ve already seen, that’s the kind of stuff that you’re much more interested in too. As always though, if you have any thoughts on the videos that I’ve made, do post them in the comments of this blog post so that I can do my best to make any future videos as good as possible!

Although the magic is all gone for me, after watching the most recent episode of the show that aired on Christmas day, it’s been replaced by something new. Seeing everything come together on the other side has filled me with an appreciation for the work that goes into the show, an appreciation that I don’t think I’d be able to have if it hadn’t been for this new job of mine, and as someone who hopes to be able to direct his own stuff in the future, I can’t even begin to tell you how grateful I am for having that opportunity. My friend Michael reminds me often of this Chuck Jones quote: “Making art takes a lot of work and a lot of love. But when you’re good at it, all we ever see is the love” which makes me think that I was just used to seeing the love behind Doctor Who. It’s only now that I really feel privileged to be able to see the work too.

After I watched Doctor Who on Saturday, naturally my next port of call was to watch the episode of Doctor Who Confidential that aired straight after it. I’ve honestly been watching Confidential ever since I realised that it existed, but I practically have an obligation to watch it now that I’ve become friends with the people who make it, and am involved in the show myself. And then, by golly, after Confidential was over, the continuity announcer for BBC 3 said my name. On the TV. On Christmas day. That’s a kind of magic that still hasn’t disappeared for me just yet at least :)

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